Interview with Stanley Jones MBE

Own a Mary Fedden RA - A Unique Story

Mary Fedden OBE was a British artist born in Bristol in 1915 who always wanted to be an artist. It was while she was at the Slade she met printmaker and painter Julian Trevelyan. They married in 1951 and she lived with him in his studio and home near Hammersmith Bridge overlooking the Thames.
From 1956 to 1964 she taught at the Royal College of Art, where she was the first female tutor, and where her pupils included David Hockney and Allen Jones. From 1964 to 1974 she taught at the Yehudi Menuhin school.

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News and Events

Stanley Jones at The Henry Moore Foundation

Jul 05, 2018

Stanley Jones MBE gave a talk to friends of The Henry Moore Foundation at Perry Green. Stanley ta...

Charles Shearer Cardboard Cut Masterclass NEW DATE

Jul 20, 2018

Artist Charles Shearer was with us this week, sharing his knowledge and experience of printing wi...

Long Road Sixth Form Students at Curwen

Jul 06, 2018

Long Road Bursary Students Will Norland, Theo Atherton, & Liberty Gibson spent 3 days working...

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Upcoming Courses

Monoprinting using Textures and Found Objects

17 Aug 18, 10am to 4pm, 1 Day

1 day course with Anne Marike Pit Learn how to use found textured objects and materials to...

Hybrid Print

18 Aug 18, 10am – 4pm, 1 Day

1 day course with Anne Marike PitAn opportunity to revisit prints previously made which we...

​Open Access Summer Week

20 Aug 18, 9.30am - 4.30pm, 1 to 5 days

Available to artists who have attended the relevant course here at Curwen Print Study Cent...

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Printmaking courses for all ages and all abilities

An educational Fine Art Printmaking charity formed in the 1990’s and now firmly established with a reputation for excellence in its field. The course programme offers something for everyone regardless of age or ability. Schools, students and teachers,visit from across the region encouraged by both enrichment and higher exam grades.

The aim of The Study Centre is to preserve and develop the essential experience and skills that underpin the concept of the artist’s original print.