Interview with Stanley Jones MBE

Own a Mary Fedden RA - A Unique Story

Mary Fedden OBE was a British artist born in Bristol in 1915 who always wanted to be an artist. It was while she was at the Slade she met printmaker and painter Julian Trevelyan. They married in 1951 and she lived with him in his studio and home near Hammersmith Bridge overlooking the Thames.
From 1956 to 1964 she taught at the Royal College of Art, where she was the first female tutor, and where her pupils included David Hockney and Allen Jones. From 1964 to 1974 she taught at the Yehudi Menuhin school.

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News and Events

Linton Village College Students at Curwen

Feb 15, 2018

Students from Year 9 attended a Bursary here in the studio during half term week. They had opport...

Great Printmaking Experience for Bursary Students from Stephen Perse Foundation Sixth Form

Jan 23, 2018

Annabel Rogers and Rebecca Sheng from Stephen Perse Sixth Form spent five days in the studio lea...

Own a Mary Fedden RA - A Unique Story

Dec 20, 2017

Mary Fedden OBE was a British artist born in Bristol in 1915 who always wanted to be an a...

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Upcoming Courses

Introduction to Water Based Screen Printing

24 Mar 18, 10am – 4pm, 1 Day

1 day course with Karina Savage BAAn introduction to Screen Printing techniques. Using A4 ...

Intaglio Printmaking - In Depth, Additional Development

28 Mar 18, 10am to 4pm, 1 Day

Additional Personal Development day with David Borrington MA RCA and Anne Marike Pit An op...

Open Access Sessions

31 Mar 18, 9.30am - 4.30pm, 1 Day +

Open Access Sessions with Anne Marike Pit. The Studio will be available on one Saturday o...

View our courses calendar

Printmaking courses for all ages and all abilities

An educational Fine Art Printmaking charity formed in the 1990’s and now firmly established with a reputation for excellence in its field. The course programme offers something for everyone regardless of age or ability. Schools, students and teachers,visit from across the region encouraged by both enrichment and higher exam grades.

The aim of The Study Centre is to preserve and develop the essential experience and skills that underpin the concept of the artist’s original print.